Navegando hacia un sur sonoro: Two Sound Stories From South America

https://www.researchcatalogue.net/view/823463/823464

Brian Mackern’s Temporal de Santa Rosa, a sound recording and installation project that reinterprets popular, religious, and traditional elements in a post-digital key; and Alejandra Pérez Nez’s installation Antarctica 1961-1996, which investigates the imperceptibility of national political processes that have appropriated Antarctic territory in recent decades. The examination of these two case studies provides a critical approach to concepts such as new geographies, borders, and the materiality of sound, as well as prospective approaches to a sonic dimension of the South (Steingo and Sykes 2019). It recommends a journey through unconventional listening trajectories over a variety of acoustic pathways to a geographically dispersed South, which calls into question the significance of a linear tale through listening spots that allow hidden parts to be heard.

Jasleen Kaur – Alter Altar

https://www.glasgowlife.org.uk/news/glaswegian-artist-jasleen-kaur-has-first-major-scottish-exhibition

Kaur investigates music’s ability to reflect on current identities while also building new ones. Her research looks at the influence of the 1947 partition of the Indian subcontinent under British colonial control on shared Sikh-Muslim cultural history, notably the ensuing deterioration of Sikh-Rababi musical tradition. These ideas are reflected by the use of colonial instruments like the Indian Harmonium, creating a larger narrative thread across the exhibition that investigates the ongoing geopolitical and cultural repercussions of colonial history and State power.

Surveillance, bias, and healing through re-articulation: An interview with Paula Albuquerque on her recent solo exhibition in Amsterdam

https://necsus-ejms.org/surveillance-bias-and-healing-through-re-articulation-an-interview-with-paula-albuquerque-on-her-recent-solo-exhibition-in-amsterdam/