With my music I am trying to construct a space that is as open and wide as possible without collapsing back upon itself; hardly any support columns or visible framework. There is a sense of emptiness, of lines that have been drawn but not completed.
Thomas Köner’s audiovisual work feels like entering a suspended landscape where time stretches and sound becomes a form of weather to me.
What attracts me is how inseparable the sound is from the imagery his visuals, don’t illustrate the sound but resonate with it.
With Koner, sound becomes geography, and the visuals become a portal into that vast sonic terrain.
